The current visibility of MC's in terms of Social Space reveals a multimodal iconography in a contested public space. This iconography is composed by diverse imagery of languages, styles, and genres; however, instead of constituting an arbitrary collection of artifacts, this diversity reveals a new pattern of loss and mourning.We are witness of the existence of a dual structure: the authorized arrangement becomes an infrastructure that is steadily being obscured by an unofficial mantle of forms, languages, and meanings.As well a controlled collective space metamorphoses into a space shared by the public as a multicultural community of individuals.Everyday life practices are being reified via visible artifacts and representations: plants, decorative objects, toys, offerings , photos, and images. The focus shifted from “hard” memory to “soft” memory: from official stone memorials and commemorative objects to unofficial spaces and objects of mourning and loss.
The visual and spatial reorganization and modification of the landscape of the MC's represent an attempt to change the flow of power relations from top-down processes to bottom-up processes. The various participants in the bereavement community are symbolically claiming the space. They reflect profound conflicts within the Israeli society and Zionist ideology that are embodied in the resistance and response to the official linguistic restrictions and policy in MC's. It seems that the landscape in the military cemeteries becomes a "silence" field of struggle between the national and the private claims towards memorizing and remembering.