Scholars, such as Charles Simpson and Sharon Zukin, have previously examined the processes of artist movements in SoHo; however, they did not closely follow the social mobilization processes in chronological order, focusing on multiple social relationships around the artist groups. Utilizing mainly archival materials, such as minutes and correspondence of artist groups, and magazine and newspaper articles, this study explores the processes of artist movements for amending the zoning resolution.
Currently, scholars and urban policymakers have been focusing on artists living in a city area due to their economic, social and cultural values (e.g. creative cities). In the case study of SoHo, artists’ social movements were successful. Ironically, however, artists consequently lost their right to live in the lofts because institutionalized artist living in the lofts led to the opening of the loft housing markets and artists had to move out as a result of a rise in rent costs. This paper will explore the possibilities for artist movements and artists’ right to live in cities by focusing on the light and shadow of artist movements in SoHo.