One who has not a fixed or essential identity (or national, as described in different cultural stereotypes) identifies himself over social mediations in its context - large cities, consumption of global brands, constant relations with foreign countries. The globalization of culture is not its homogeneity, because it involves a variety of standard-setting instruments, that dialogue with the heterogeneity of local symbols, while incorporating global senses to social practices.
Considering the heterogeneity of global culture, the imaginary constructed exceeds national barriers, forming larger and often dissonant panoramas. Appadurai (1996) proposes that the reality of global culture resulted in both production and consumption fetishism, since production is illusion created in an international level and consumption, on the other hand, due to its symbolic nature, is a result of the products´ flows, filled with global and local representations. From this perspective, modern mediascapes mean people can be cosmopolitan without leaving their country and still enjoy extensive exposure to global brands.
The globalization of human symbolic exchanges, such as communication processes, has gained a prominent role in contemporary society (RITZER, 1993). In this context there are challenges to integrate diverse cultures and identities, especially when symbolic exchange, as proposed by brands, is essential to build experiences of cosmopolitan lifestyles.