This paper investigates the reasons behind the negative images of subcultures and explains it through deviant origins of subcultural trends. The paper focuses on the changes that translocal subcultural trends undergo when diffused to a new society and on the meanings attached by young people to their participation in global subcultures using the case of Estonia. The empirical part of the paper is based on open-ended interviews and results of participant observation of three subcultures (hip-hop, metal, bikers) conducted in Estonia in 2008.
The analyses show how contemporary subcultural trends have departed from their original norms and values and how the symbols and meanings within subcultural trends have changed. However, it is possible to interpret the same symbols differently, which might be the cause of the negative image for the wider society.