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We Want Things Different – the Visual Culture of Growing Ecological Awareness and New Emancipatory Lifestyle Experiments in the 1970s
In their efforts to disseminate eco-social ambitions the magazines came to share a very specific “rough and ready” aesthetic, which was a result of feasibility reasons but also owed to the constant recreation, remediation, and revisualization of the ways people responded to the socio-political upheavals of their time: Among other things, the characteristic layouts in do-it-yourself style were designed with a great variety of typefaces, coarsely rasterized photographs, and simple hand drawings in black and white.
Through the analysis of the particular visual culture shared by these alternative media outlets, this paper aims to highlight the significance of shared communication patterns as both indispensable instruments in the foundation of a new collective identity as well as a means of distinction. This paper broadens the scope of investigation from debates about style and social class in a rather straightforward Bourdieuian tradition into a wider discussion about a shared visual culture that triggered ecologically, socially, and ethically motivated ways of everyday life.