Sociological Film: Blending Filmic and Sociological Imaginations

This paper explores the integration of sociological and filmic imaginations through sociological film. It examines the role of sociological film within visual sociology, distinguishing it from traditional approaches that often overlook the artistic elements of filmmaking. By blending sociological theory with creative storytelling, sociological film captures social realities and, through its engagement with affect, visually constructs the sociological. The paper also discusses socially conscious cinema and highlights the historical context of social problem films and their limitations in promoting sociological imagination. Additionally, it explores sociological film in relation to other concepts, such as research film and social science film. It also reviews the interview as a method in four different films to demonstrate the role of affect in documentaries. Finally, by analyzing Chronicle of a Summer (1961), this paper advocates for collaboration between sociologists and filmmakers to enhance the impact and reach of sociological documentaries.