Life Course, Biography, Career. the Migrant Musicians of the Orchestra Orpheus XXI (Jordi Savall)
With tools drawn from the anthropology of music and the anthropology of biographical life courses, I study the life course (parcours), the biography, the career (Zimmermann, 2013) of migrant musicians of the Orpheus XXI ensemble. The life course is concerned with the paths that the person takes in the private or public spaces, and the environments (professional, family related, institutional) that he or she crosses which shape his or her possibilities and resources but over which he or she can exercise influence. The career focuses on the world of work and analyses the path of a person in this world. Career is also a form of statutory attribution. It depends on an external authority. Biography is the construction of a narrative, the establishment of a continuity after the fact by the reflexivity of the actor to an external audience. How do musicians adjust to the structures of their new societies? and how do the structural devices – whether legal, social, administrative, cultural and familial – understand music: as a cultural tool for society? as a tool of inclusion for people who find themselves in a situation of migration?
[1] See Orpheus XXI website: https://orpheus21.eu/en/description-project/, accessed on 19.01.2023.