"Cowboy" a Connected Bike Brand for Men? Gendered Representations and Uses
To capture the new gendered imaginaries conveyed by this brand (De Lauretis, 1987), we carried out a socio-semiotic analysis (Julliard, 2013) of the gender performance of cyclists (Butler, 1990) in the representations of the Cowboy brand's website and Instagram page. Then, to analyze how changes in the brand's communication have impacted gendered uses, we conducted fifteen interviews with users of the brand's bicycles with diverse profiles (gender, sex, age race) circulating in Brussels with different models of Cowboy bicycles. This research is conducted at the intersection of gender, class, ethno-racial and age relations (Crenshaw, 2005). We will see that, Cowboy’s digital communication focuses on a “trendy”, ultra-connected, design, urban e-bike for young professionals (men and women) with diverse racial backgrounds among cyclists and ambivalent gender performances. Uses are predominantly gendered, despite the resistance strategies put in place by cyclists, most of whom are active, wealthy white people between the ages of 22 and 65.