Social Theatre As a Research Method in Shelters for Women Victims of Violence
Starting from the study of a social theatre workshop aimed at an integrated group of women shelter workers and women victims of violence, the intervention focuses on the use of performance practice as a means to: reach inaccessible targets (because they are institutionalized within protection circuits) and open new communication channels with those involved; to represent the multiple points of view and needs of social actors and express incomprehensible and unexplored meanings.
Since knowledge does not have an exclusively cognitive-rational foundation and indeed cannot be detached from the individual’s entirety (including its emotional, relational, and bodily dimensions) theatrical practice as a means of training both guests and service workers and as a research tool on the effectiveness of anti-violence centers can foster the overcoming of the emergency perspective, service innovation and the development of a more holistic approach to users and their needs, including unexpressed ones. In doing so, it promotes “embodied ways of knowing” (Barbour, 2011): a total involvement of the researcher in the research context and process.