Theaterpractices for Traumaprocessing & Strengthening the Narratives of Migrantized Women in Belgium
Additionally, the authors will position themselves in this chapter as migrantised women using arts based (applied) research. The idea of this trajectory was initiated by the second author who has guided a previous project called ‘Tesrith an Arif’ (Bride from the Rif), initiated by Empact’s member association ‘Vrouwkracht’ (Female Power). In this previous project many migrant women got on stage for the first time and could speak in a safe environment being a women’s only safe space. The first author (partly) participated in the theatre project and initiated the co-creative development of this paper’s main reflections. Finally, the third author will contribute by reflecting on the discourses in this pilot project as creator of the art science production “(Un)Certain Mothers” which prior to the start of this project was screened by and received attention and admiration from Empact’s member associations. As a result many of Empact’s participating women showed a great interest in developing their own theatre play where they could remember and honour their past experiences both as daughters and mothers of Moroccan immigration in Belgium