Videoactivism in Rio De Janeiro and Cape Town

“Anywhere, where something is happening in the world, there is a cellphone. Almost everywhere, there is 3G”,

answered the documentary film maker during our interview in Cape Town. Moving images of mass protests, burning cars and barricades or clashes shot through cameras of smartphones and distributed via social media have become part of global media consumption latest since the Arab spring 2010/2011. Since then, news production by citizens through smartphones and social media potentially create viral videos everywhere at any point.

Videoactivism – sometimes also labelled as media-activism (mídiativismo in Brasil) or citizen-journalism – signifies the appropriation of video production and distribution by activists, together with witness-videos made by amateurs.

Theoretically drawing on Henri Lefebvre’s work of “The Production of Space” (1974) and “the Right to the City” (1968) my goal is to describe the mutual infiltrations between the “streets” and the “net”. This research analyzes Rio de Janeiro and Cape Town’s videoactivism scenes to illustrate current developments in two major metropolises from the Global South. Methodologically, I research online-videos through an ethnographic approach, which allows in depth descriptions of the practices of videoactivism and hereby focus on the perspectives of videoactivists themselves. Based on an excellent field access I generated a rich set of qualitative data.

The goal of my presentation at ISA is to show some insights from the resulting thick description of the practices of videoactivism in both cities and how these are embedded in the respective social movements. With my contribution I wish to offer a detailed account of videoactivism to substantiate politicized discussions about “digital revolutions”: Who is it actually who can make videos about protests and present his/her perspective – as authentic? - in the early 21^st century?