Hybrid Work Is More Than Just a New Form of Precarious Work.
on the Multi-Dimensional Porosity of New Atypical Forms of Labor: The Case of the Performing Arts
The paper examines how cultural workers in the performing arts are affected by hybrid work, utilizing Bourdieu’s field sociology within the sociology of work. Based on two empirical case studies in major German cities from 2019 to 2021, funded by the Boeckler Foundation, the study involved respondents from various fields of cultural production, including public theatre, independent performing arts, and lateral entrants. The research introduces a typology of hybrid work strategies: "reputation-winner," "position-defender," and "position-seeker." These strategies reflect how workers aim to improve, maintain, or establish their positions within a social field.
The study expands the understanding of hybrid work by linking it to occupational fields, showing that hybrid work is not just a new form of employment but part of ongoing transformations in work and power relations. Therefore, the findings suggest that hybrid work is not merely a response to weak economic conditions but can be a deliberate strategy for gaining reputation and financial stability. In sum, the typology sheds light on the socioeconomic and cultural dynamics of hybrid work, offering a deeper understanding of this increasingly prevalent employment model.