Art, Art Institutions and the State in Contemporary Morocco

Tuesday, 8 July 2025: 15:30
Location: FSE001 (Faculty of Education Sciences (FSE))
Oral Presentation
Bouaamri ASMAA, Eotvos Lorand University, Hungary
For centuries, Morocco has served as a significant crossroads for various empires, including the Roman, Greek, and Arab civilizations. The nation’s cultural diversity and geostrategic position, facilitating extensive interaction with different nations, have played a pivotal role in shaping the evolution of contemporary art in Morocco. While this artistic history is often traced back to Morocco’s independence from French and Spanish colonial rule, the earlier engagements with Greek and Roman influences left an indelible mark on its socio-cultural fabric and the perception of craftsmanship and artistry.

In recent years, Morocco has experienced a remarkable surge in artistic production, surpassing previous periods. This growth is partly attributed to its proximity and enduring cultural connections with Western Europe, bolstered by solid governmental ties. Additionally, the rapid expansion of digital technology and increased technological adoption across the country over the past decade have further accelerated this artistic renaissance.

Alexander and Rueschemeyer (2005) argue that “Art is not just about artists and artworks,” highlighting how artists are embedded in a socio-cultural context that shapes their perception and, consequently, their artistic production (Alexander, Rueschemeyer, 2005). However, limited research has been conducted on the state's role and legislation influencing the arts over time in Morocco.

This research aims to critically analyze the complex relationship between artistic production and state authority in ancient Morocco, while investigating its lasting influence on the development of contemporary art movements. By exploring the historical interconnection between cultural expression and political power, this study seeks to offer a nuanced perspective on how early artistic practices, shaped by state intervention, have left an indelible mark on the dynamics of Morocco’s modern art scene. This inquiry not only traces the historical evolution of art under state patronage but also provides critical insights into its enduring impact on the current cultural landscape.