Art, Art Institutions and the State in Contemporary Morocco
In recent years, Morocco has experienced a remarkable surge in artistic production, surpassing previous periods. This growth is partly attributed to its proximity and enduring cultural connections with Western Europe, bolstered by solid governmental ties. Additionally, the rapid expansion of digital technology and increased technological adoption across the country over the past decade have further accelerated this artistic renaissance.
Alexander and Rueschemeyer (2005) argue that “Art is not just about artists and artworks,” highlighting how artists are embedded in a socio-cultural context that shapes their perception and, consequently, their artistic production (Alexander, Rueschemeyer, 2005). However, limited research has been conducted on the state's role and legislation influencing the arts over time in Morocco.
This research aims to critically analyze the complex relationship between artistic production and state authority in ancient Morocco, while investigating its lasting influence on the development of contemporary art movements. By exploring the historical interconnection between cultural expression and political power, this study seeks to offer a nuanced perspective on how early artistic practices, shaped by state intervention, have left an indelible mark on the dynamics of Morocco’s modern art scene. This inquiry not only traces the historical evolution of art under state patronage but also provides critical insights into its enduring impact on the current cultural landscape.