Production, Circulation, and Consumption of Visual Conceptual Frames

Wednesday, July 16, 2014: 3:30 PM-5:20 PM
Room: 313+314
WG03 Visual Sociology (host committee)
RC37 Sociology of Arts

Language: English

The mainstream analyses of visual materials analytically separate between stages of production, circulation and consumption, and order these stages chronologically. This session will offer a break from this classic analysis by blurring the borderlines between these practices and by reordering them, suggesting variety of means by which conceptual frames are visualized (and re-visualized).
Session Organizers:
Regev NATHANSOHN, University of Michigan, USA and Paulo MENEZES, University of São Paulo, Brazil
Mateusz HALAWA, Instytut Filozofii i Sociologii Polskiej Akademii Nauk, Poland
Gülsüm DEPELI, Hacettepe University, Turkey
Cold War 2.0 Visual Conflicts: American Visual Constructions of the Chinese 'cyber Threat' (Oral Presentation)
Daniel GARRETT, City University of Hong Kong, Hong Kong

Friends, Comrades and The Aesthetic Melting Pot: Instagram As a Tool Of Propaganda (Oral Presentation)
Ayelet KOHN, Hadassah Academic College, Israel

Performance As Resistance: The Taino Show (Oral Presentation)
Jorge CAPETILLO, University of Massachusetts at Boston, USA; Julian JEFFERIES, California State University, Fullerton, USA

Redefining The Public Space Through Art and Culture Events—The Case Of Bat Yam City In Israel (Oral Presentation)
Dr. Yael GUILAT, Oranim Academic College, Israel

The Origin of the World: Analysis, Representation and Performance (Oral Presentation)
Sarah WILSON, University of Stirling, United Kingdom; Syd KROCHMALNY, University of Buenos Aires, Argentina

From Real to Ideal: Visual Narrations of Collective Traumas and Identities (Distributed Paper)
Vicky KARAISKOU, Cyprus Open University, Cyprus

See more of: WG03 Visual Sociology
See more of: Working Groups