251.4
Appnography: Queering Digital Ethnography for an App-Based World
Borrowing from Pink and colleagues (2016), theories on the multiplicity of subjectivities (Pavlidis & Fullagar, 2013) and the queering of digital spaces (Keeling, 2014; Lupton, 2015), we argue that an appnography of GSNAs must: (a) incorporate the many ways users intersect and interface with the digital; (b) be transparent and reflexive about the how and why of the appnographic project, and the communication with and involvement of participants; and (c) acknowledge the non-centrality of the digital spaces or media objects within the appnographic study, recalling the intersections of individual, social, technological, personal, and public that interpolate the user. We explore these elements of appnography from a queer theoretical perspective as we seek to understand (a) the overlay of physical and virtual spaces, exposing the false dichotomy of digital/“real”; (b) user profiles; and (c) the digital space and place of GSNA interactions. This exploration will create a set of guideposts others can utilize when planning and conducting appnographies of GSNAs.